Yvonne Elia February 27, 2021 Home Design
Betsy and Peter have kept close to their love story, literally: they met in college, married in Saratoga Springs, NY, and now their home is just down the street from their alma mater. The family was planning to relocate to be closer to Peter’s job and had one weekend to find their house; coming back to their college hometown was a happy byproduct. Despite the varying styles of homes they toured, Peter and Betsy knew the moment they stepped into their now home that it was “the one.” Betsy had actually always wanted to live in a barn, and loved how open the spaces were. The fact that it was somehow an in-town barn made walking to restaurants and shops incredibly convenient, it had a space for an on-site design studio as well — it was the perfect fit.
Image Above: Nasozi Kakembo shares how important it is to showcase images and reminders of her family and Ugandan heritage for the benefit of her son in their Bed-Stuy, Brooklyn brownstone tour. This wall-hanging comes from Nasozi’s family, purchased in Liberia by her mother in the 1970s, “although the design provenance is Ivory Coast.” It is an example of her deliberate decorative process to instill a global and empathetic worldview in her son through the objects she places in her home.
The den in Kris Drayovitch’s home in Plano, TX is full of furniture that originally belonged to her grandparents along with other family heirlooms, like this vintage Suzani above the couch from her parents’ trip to the Mediterranean. She shares, “I love having pieces in my home that have a history and remind me of loved ones every time I walk into the room.”
“We’d been searching for a home in Park Slope for what seemed like forever,” she says. “At one point we tried to buy a big house with friends and split it in half, but it got very complicated very quickly. About that time I said to Jonah, ‘we just need a little house, where are the little houses?’ When we saw our house we both said: ‘it is definitely little!’ But compared to what we were used to, even though it’s only 12 feet wide it really is a lot of house. On top of that, it has a lot of original detail, gorgeous ceiling moldings, original stained glass. I’m sure I was staring at those pretty windows while ignoring words like ‘complete electrical/plumbing updates,’ [and] ‘mechanical redo’.”
“The goal all along was to figure out how to make the house feel as wide as possible while preserving as much as possible,” Sam echoes. “The original details are actually quite grand, so we wanted to show them off as much as possible. Removing the wall between the front parlor and the original library (now kitchen) transformed the whole house. It exposed the central staircase which deserves to be seen. And Sarah’s design truly maximizes every square inch of space there is.”
Nestled down a country road, past oak trees, off the road and out of view from anyone passing by, sits a home built from the ground up, for and by homeowners and artists, Vivian and Walter Neill. Also on the large, wooded property is the blacksmith studio of homeowner Walter, a full chicken coop, and the art gallery that the Neill’s run together, Oxford Treehouse Gallery.
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