Bernadette Léonore February 27, 2021 Home Design
While Sarah reconfigured the space to make it work for the family while honoring its past, she and Sam worked in tandem to infuse the home with energizing colors and other eye-catching design elements. Take a spin through the whole tour to see how color and history interplay harmoniously to give the Arcade family the space they need in the neighborhood they love. —Kelli
It would be the perfect home for Sarah were it not for the fact they can’t have cats. “I have offered bribes and contracts and everything I can think of to our landlord but we just can’t have a cat.” Luckily, Cat Town Cafe, America’s first permanent cat cafe, is within walking distance. It also happens to be one of several non-profit groups where Sarah has volunteered her design work. Other than the lamentable absence of a cat, I can imagine that an ideal evening would be spent in Sarah and Matthew’s gorgeous home, listening to their records, sipping Matthew’s flawlessly mixed cocktails, all while coveting that unbelievable crown molding. And, of course, toasting Sarah on her courageous and inspired decision to reimagine her life.
One of the things that makes family heirlooms so special are the stories they collect over time. Objects give us the ability to recall adventures that have been told and retold, or spark the memory they carry. Cherished items often cross oceans, countries, and generations to create their stories, probably with a few scratches and bumps along the way. It’s as if these treasures traveled down the branches of our family tree and ended up in our living rooms.
Betsy and Peter have kept close to their love story, literally: they met in college, married in Saratoga Springs, NY, and now their home is just down the street from their alma mater. The family was planning to relocate to be closer to Peter’s job and had one weekend to find their house; coming back to their college hometown was a happy byproduct. Despite the varying styles of homes they toured, Peter and Betsy knew the moment they stepped into their now home that it was “the one.” Betsy had actually always wanted to live in a barn, and loved how open the spaces were. The fact that it was somehow an in-town barn made walking to restaurants and shops incredibly convenient, it had a space for an on-site design studio as well — it was the perfect fit.
While the bones of the home were heavenly (while sitting in the living room you can look up and see all the way through the cupola) the style felt a little more like a lodge than a home. So, the timbers and doors and windows were all painted white (Benjamin Moore “Linen White”), in a terrifying process using plywood sheets and ladders to reach the some 40 feet up. Iron balusters were updated with steel cable and tempered glass. In Betsy’s studio, she took the dark green former stables and painted everything white and added casements under the window to allow for more natural light in the somewhat cave-like space. The last vestige of the lodge feel for Betsy and Peter is their fireplace, and because of the scale, it will take a while for them to figure out what the perfect replacement will be. While the open spaces were something Betsy had dreamed of, and one of her favorite features, they do create the design challenge of being able to see everything from one end of the house to the other. Betsy had to make sure when she was designing the space that everything felt cohesive. Scale is also a key design element in their home — pieces that once felt huge in their last home were now dwarfed in the massive barn house.
Nestled down a country road, past oak trees, off the road and out of view from anyone passing by, sits a home built from the ground up, for and by homeowners and artists, Vivian and Walter Neill. Also on the large, wooded property is the blacksmith studio of homeowner Walter, a full chicken coop, and the art gallery that the Neill’s run together, Oxford Treehouse Gallery.
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