Damien Eugénie February 27, 2021 Home Design
Betsy and Peter Olmsted share their home with their two boys Emmett (7) and Wells (4), as well as Winnie the mature-madam shepherd mix, Hank the French bulldog, and Archer the leopard gecko. Their home was originally a Victorian carriage house and barn that was used for three neighboring mansions, built in 1890 when it also had three deeds. The 5,400-square-foot home was created from the converted spaces in 2008, and the Olmsted family moved in and made it their own a year ago. The downstairs features an open plan, their den, and the attached stables that became The Betsy Olmsted Design Studio — Betsy’s namesake textile company, Betsy Olmsted, which features a line of printed vibrant watercolor infused textile housewares with her whimsically sophisticated illustrations (which are heavily inspired by animals and nature). Upstairs you’ll find more open spaces, three bedrooms and baths, a study, and even a screened-in sleeping porch.
Image above: Sarah put together her half of the office in a fit of energy over the course of one day. Since they can’t paint their apartment, Sarah relies on punches of color, such as the “Oh What Fun!” art she found at a thrift store. “It says how I feel about my work.” The desk was cobbled together with IKEA pieces. The chair was a gift.
Vivian continues, “We wanted a floor plan that opened to the outdoors as much as possible. A place to showcase the art we collect in an inviting, user/dog-friendly space. A place to casually entertain guests while we cook. We chose a Danish dining table/chairs to maximize our view of the fields behind our house that will one day include more sculptures.” The Neill’s worked with architect firm, Howorth & Associates to see their vision to fruition.
Image Above: Nasozi Kakembo shares how important it is to showcase images and reminders of her family and Ugandan heritage for the benefit of her son in their Bed-Stuy, Brooklyn brownstone tour. This wall-hanging comes from Nasozi’s family, purchased in Liberia by her mother in the 1970s, “although the design provenance is Ivory Coast.” It is an example of her deliberate decorative process to instill a global and empathetic worldview in her son through the objects she places in her home.
Nestled down a country road, past oak trees, off the road and out of view from anyone passing by, sits a home built from the ground up, for and by homeowners and artists, Vivian and Walter Neill. Also on the large, wooded property is the blacksmith studio of homeowner Walter, a full chicken coop, and the art gallery that the Neill’s run together, Oxford Treehouse Gallery.
“The goal all along was to figure out how to make the house feel as wide as possible while preserving as much as possible,” Sam echoes. “The original details are actually quite grand, so we wanted to show them off as much as possible. Removing the wall between the front parlor and the original library (now kitchen) transformed the whole house. It exposed the central staircase which deserves to be seen. And Sarah’s design truly maximizes every square inch of space there is.”
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