Leonie Giulia February 27, 2021 Home Design
Dana McClure keeps her grandmother’s Chantilly Lace, along with other family heirlooms like this gold framed mirror, jewelry boxes and display trays resting on her great aunt’s Dorothy Draper dresser. “I never wear [it], but the smell brings me back to being six years old and playing dress-up in her bedroom.” This is her favorite spot in her New York state farmhouse to wind down after a long day and fill her heart with warm memories of her childhood.
Image above: “We are lucky that only a few families lived here before us, which is pretty [remarkable] considering she’s not a young house — part of the demo included removing gas lamp infrastructure,” Sam says. “And while we’re not the first family in Brooklyn looking to maximize square footage, when you’re working with just 12 feet across it takes on a whole new meaning.” By opening up the stair wall, Sarah was able to elongate the home’s design and make the space feel much larger. Chairs upholstered by Studio Four in their teal Jackie fabric, with Flock‘s Northmore Minor Teal fabric on the back.
“While the renovation added many new features and opened up several spaces to create a better flow, the design was simultaneously careful not to overwhelm or compromise the spirit of the historic features,” Sarah says.
On the process of building their home, Vivian said, “The construction only took about one and half years, but the house site and design decisions took much longer. In the meantime, we sold our [previous] home in Oxford, MS and renovated the basement of the home already on the property, into an apartment and lived onsite while we developed our ideas for our home. The gallery apartment now serves as guest quarters and an Airbnb location. We finally settled on the old homestead site, but first had to remove dilapidated tenant shacks… Near the house is an old well that was hand dug by the first family on this property. One of the previous homeowners visits on occasion, and recently we learned he was a 12-year-old boy when he helped his grandfather hand dig the 30-foot well.”
Sarah and her husband Matthew Latkiewicz, a television host, writer, and producer, arrived in Oakland with only what they could squeeze into their Honda Fit. This included Sarah’s grandparents’ coffee table, Matthew’s two favorite chairs, some art, and their clothes. After weeks scouring Craigslist and thrift stores, Sarah realized the best place for reasonably priced home goods was estates sales. “That is how the best stuff gets into the bloodstream of the Bay Area. That and the Alameda Flea Market.” From her estate sale and flea market explorations she began assembling a collection of what she calls “soulful objects.” It took about three years before Sarah felt like she had made a cohesive and comfortable space of their 1920s Art Deco apartment.
Nestled down a country road, past oak trees, off the road and out of view from anyone passing by, sits a home built from the ground up, for and by homeowners and artists, Vivian and Walter Neill. Also on the large, wooded property is the blacksmith studio of homeowner Walter, a full chicken coop, and the art gallery that the Neill’s run together, Oxford Treehouse Gallery.
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