Leonie Giulia February 27, 2021 Home Design
Nestled down a country road, past oak trees, off the road and out of view from anyone passing by, sits a home built from the ground up, for and by homeowners and artists, Vivian and Walter Neill. Also on the large, wooded property is the blacksmith studio of homeowner Walter, a full chicken coop, and the art gallery that the Neill’s run together, Oxford Treehouse Gallery.
On the process of building their home, Vivian said, “The construction only took about one and half years, but the house site and design decisions took much longer. In the meantime, we sold our [previous] home in Oxford, MS and renovated the basement of the home already on the property, into an apartment and lived onsite while we developed our ideas for our home. The gallery apartment now serves as guest quarters and an Airbnb location. We finally settled on the old homestead site, but first had to remove dilapidated tenant shacks… Near the house is an old well that was hand dug by the first family on this property. One of the previous homeowners visits on occasion, and recently we learned he was a 12-year-old boy when he helped his grandfather hand dig the 30-foot well.”
An apartment in Helsinki, Finland houses this 300-year-old, restored “Könni” wall clock. It was handed down to Ulla-Maija by her mother’s family — still chiming every hour on the hour as it would centuries ago. She believes a home is made gradually over time through pieces that reveal one’s true past, present and future. “You add to it as you go, and little by little it becomes a reflection of who you are and where you’ve been.” Ulla-Maija’s decorative ideology is represented in a space full of meaningful family heirlooms, including a family tree gallery wall of portraits dating back to the 1800s.
Farah Malik lived in seven countries before landing in the United States. She admits to a penchant for heirlooms and admires their power to promote a pass-down-from-generation-to-generation culture. Having grown up in England, Farah keeps multiple pots for tea, including this Moroccan kettle handed down from an old friend’s grandmother in Marrakech. Other expressive pieces from Syria, Lebanon, Turkey, Kenya, China, Pakistan, Zanzibar, Cyprus, and all over Europe — just to name a few — encourage a broad global awareness in her Brooklyn home.
Image above: Sarah put together her half of the office in a fit of energy over the course of one day. Since they can’t paint their apartment, Sarah relies on punches of color, such as the “Oh What Fun!” art she found at a thrift store. “It says how I feel about my work.” The desk was cobbled together with IKEA pieces. The chair was a gift.
This steamer trunk, belonging to Anne Sheldon-Duplaix, traveled back and forth with her grandparents between New York and Europe, holding all their possessions until it was passed to her parents’ home in Northern France, and then on to her. She used it to store a carefully curated fabric collection and her dreams of becoming a clothing seamstress. One day, Anne opened the trunk and began sewing clothes for her daughter, which led her to open a children’s clothing shop by constructing clothes from the fabric stored in the steamer trunk at her East Village, NYC home.
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