Delmare Ana February 27, 2021 Home Design
“The goal all along was to figure out how to make the house feel as wide as possible while preserving as much as possible,” Sam echoes. “The original details are actually quite grand, so we wanted to show them off as much as possible. Removing the wall between the front parlor and the original library (now kitchen) transformed the whole house. It exposed the central staircase which deserves to be seen. And Sarah’s design truly maximizes every square inch of space there is.”
“While the renovation added many new features and opened up several spaces to create a better flow, the design was simultaneously careful not to overwhelm or compromise the spirit of the historic features,” Sarah says.
On the process of building their home, Vivian said, “The construction only took about one and half years, but the house site and design decisions took much longer. In the meantime, we sold our [previous] home in Oxford, MS and renovated the basement of the home already on the property, into an apartment and lived onsite while we developed our ideas for our home. The gallery apartment now serves as guest quarters and an Airbnb location. We finally settled on the old homestead site, but first had to remove dilapidated tenant shacks… Near the house is an old well that was hand dug by the first family on this property. One of the previous homeowners visits on occasion, and recently we learned he was a 12-year-old boy when he helped his grandfather hand dig the 30-foot well.”
Creating a space that was colorful, informal, incorporated furniture inherited from Betsy’s grandparents (traditional on one side and mid-century from the other), and that could handle two wild boys, was essential. Betsy is most thankful for the former stables that became her studio, originally thinking that she would have to rent a studio before they found their home. Betsy explains, “The feeling of old time past and rustic white wood are so brand-friendly. It’s a luxury to work while the boys are home and at night without leaving the house. I also bring them into the studio to make projects like tie dying and painting. Plus I like for them to be exposed daily to my work and to art and design — I hope to inspire them.” She also never takes the open space for granted, especially during the long winters. Betsy adds, “They run around, build obstacle courses, and shoot Nerf bullets all over the place. It really helps keep them ‘out of my bubble’ and I can see everything they’re doing while cooking, etc.”
Farah Malik lived in seven countries before landing in the United States. She admits to a penchant for heirlooms and admires their power to promote a pass-down-from-generation-to-generation culture. Having grown up in England, Farah keeps multiple pots for tea, including this Moroccan kettle handed down from an old friend’s grandmother in Marrakech. Other expressive pieces from Syria, Lebanon, Turkey, Kenya, China, Pakistan, Zanzibar, Cyprus, and all over Europe — just to name a few — encourage a broad global awareness in her Brooklyn home.
“Always interested in the arts, we had early careers in the restaurant and plumbing businesses,” Vivian shares. “We married and settled in Oxford, MS in 1999 where we began our art careers and business in earnest. We are developing a sort of arts compound where we live, work and promote regional artists. We have taken our time reclaiming the acreage we acquired and look forward to the coming additions/evolution, including a sculpture garden in the field outside our home.” The arts compound she’s referring to is the rural art gallery she and Walter opened three years ago, sitting off the ground in a treehouse-like setting, aptly named The Oxford Treehouse Gallery, just 200 yards from their home. The gallery, as well as their home, houses a lot of their own art, too. Walter is an artist/blacksmith and Vivian is a painter and block printer.
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