Charmaine Zaynab February 27, 2021 Home Design
One of the things that makes family heirlooms so special are the stories they collect over time. Objects give us the ability to recall adventures that have been told and retold, or spark the memory they carry. Cherished items often cross oceans, countries, and generations to create their stories, probably with a few scratches and bumps along the way. It’s as if these treasures traveled down the branches of our family tree and ended up in our living rooms.
While the bones of the home were heavenly (while sitting in the living room you can look up and see all the way through the cupola) the style felt a little more like a lodge than a home. So, the timbers and doors and windows were all painted white (Benjamin Moore “Linen White”), in a terrifying process using plywood sheets and ladders to reach the some 40 feet up. Iron balusters were updated with steel cable and tempered glass. In Betsy’s studio, she took the dark green former stables and painted everything white and added casements under the window to allow for more natural light in the somewhat cave-like space. The last vestige of the lodge feel for Betsy and Peter is their fireplace, and because of the scale, it will take a while for them to figure out what the perfect replacement will be. While the open spaces were something Betsy had dreamed of, and one of her favorite features, they do create the design challenge of being able to see everything from one end of the house to the other. Betsy had to make sure when she was designing the space that everything felt cohesive. Scale is also a key design element in their home — pieces that once felt huge in their last home were now dwarfed in the massive barn house.
“We’d been searching for a home in Park Slope for what seemed like forever,” she says. “At one point we tried to buy a big house with friends and split it in half, but it got very complicated very quickly. About that time I said to Jonah, ‘we just need a little house, where are the little houses?’ When we saw our house we both said: ‘it is definitely little!’ But compared to what we were used to, even though it’s only 12 feet wide it really is a lot of house. On top of that, it has a lot of original detail, gorgeous ceiling moldings, original stained glass. I’m sure I was staring at those pretty windows while ignoring words like ‘complete electrical/plumbing updates,’ [and] ‘mechanical redo’.”
Farah Malik lived in seven countries before landing in the United States. She admits to a penchant for heirlooms and admires their power to promote a pass-down-from-generation-to-generation culture. Having grown up in England, Farah keeps multiple pots for tea, including this Moroccan kettle handed down from an old friend’s grandmother in Marrakech. Other expressive pieces from Syria, Lebanon, Turkey, Kenya, China, Pakistan, Zanzibar, Cyprus, and all over Europe — just to name a few — encourage a broad global awareness in her Brooklyn home.
Image above: Matthew and Lauren’s second bedroom in their Chicago, IL home was given purpose with a daybed built by Lauren’s father and Matthew. The bed is styled with pillows for a faux backrest to make the room versatile between an extra living space and a place for overnight guests.
This steamer trunk, belonging to Anne Sheldon-Duplaix, traveled back and forth with her grandparents between New York and Europe, holding all their possessions until it was passed to her parents’ home in Northern France, and then on to her. She used it to store a carefully curated fabric collection and her dreams of becoming a clothing seamstress. One day, Anne opened the trunk and began sewing clothes for her daughter, which led her to open a children’s clothing shop by constructing clothes from the fabric stored in the steamer trunk at her East Village, NYC home.
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