Bernadette Léonore February 27, 2021 Home Design
Image above: “We are lucky that only a few families lived here before us, which is pretty [remarkable] considering she’s not a young house — part of the demo included removing gas lamp infrastructure,” Sam says. “And while we’re not the first family in Brooklyn looking to maximize square footage, when you’re working with just 12 feet across it takes on a whole new meaning.” By opening up the stair wall, Sarah was able to elongate the home’s design and make the space feel much larger. Chairs upholstered by Studio Four in their teal Jackie fabric, with Flock‘s Northmore Minor Teal fabric on the back.
Creating a space that was colorful, informal, incorporated furniture inherited from Betsy’s grandparents (traditional on one side and mid-century from the other), and that could handle two wild boys, was essential. Betsy is most thankful for the former stables that became her studio, originally thinking that she would have to rent a studio before they found their home. Betsy explains, “The feeling of old time past and rustic white wood are so brand-friendly. It’s a luxury to work while the boys are home and at night without leaving the house. I also bring them into the studio to make projects like tie dying and painting. Plus I like for them to be exposed daily to my work and to art and design — I hope to inspire them.” She also never takes the open space for granted, especially during the long winters. Betsy adds, “They run around, build obstacle courses, and shoot Nerf bullets all over the place. It really helps keep them ‘out of my bubble’ and I can see everything they’re doing while cooking, etc.”
Image above: This Austin home turned an unused closet space into a modern bunk bed + trundle combo. The blackboard back wall is a fun touch and a great way for kids to create their own personalized space.
Kristen’s Storied Home in Kansas City is full of furniture and jewelry passed down from family members, but she is particularly sentimental about this buffet made by her grandfather and great-grandfather in 1963 (and considers it one of her most precious possessions). She uses the made-up word anemoia from John Koenig’s Dictionary of Obscure Sorrows, meaning “a pang of nostalgia for times you’ve never experienced,” to describe her love affair with objects that tell stories of the past.
Hildegard Haave’s home in Selbu, Norway showcases a handful of family heirlooms like this mahogany dresser from her grandparents. She explains that it used to live in their home office where she would play with her grandfather’s typewriter while he worked.
An apartment in Helsinki, Finland houses this 300-year-old, restored “Könni” wall clock. It was handed down to Ulla-Maija by her mother’s family — still chiming every hour on the hour as it would centuries ago. She believes a home is made gradually over time through pieces that reveal one’s true past, present and future. “You add to it as you go, and little by little it becomes a reflection of who you are and where you’ve been.” Ulla-Maija’s decorative ideology is represented in a space full of meaningful family heirlooms, including a family tree gallery wall of portraits dating back to the 1800s.
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