Bernadette Léonore February 27, 2021 Home Design
While the bones of the home were heavenly (while sitting in the living room you can look up and see all the way through the cupola) the style felt a little more like a lodge than a home. So, the timbers and doors and windows were all painted white (Benjamin Moore “Linen White”), in a terrifying process using plywood sheets and ladders to reach the some 40 feet up. Iron balusters were updated with steel cable and tempered glass. In Betsy’s studio, she took the dark green former stables and painted everything white and added casements under the window to allow for more natural light in the somewhat cave-like space. The last vestige of the lodge feel for Betsy and Peter is their fireplace, and because of the scale, it will take a while for them to figure out what the perfect replacement will be. While the open spaces were something Betsy had dreamed of, and one of her favorite features, they do create the design challenge of being able to see everything from one end of the house to the other. Betsy had to make sure when she was designing the space that everything felt cohesive. Scale is also a key design element in their home — pieces that once felt huge in their last home were now dwarfed in the massive barn house.
Kristen’s Storied Home in Kansas City is full of furniture and jewelry passed down from family members, but she is particularly sentimental about this buffet made by her grandfather and great-grandfather in 1963 (and considers it one of her most precious possessions). She uses the made-up word anemoia from John Koenig’s Dictionary of Obscure Sorrows, meaning “a pang of nostalgia for times you’ve never experienced,” to describe her love affair with objects that tell stories of the past.
On the process of building their home, Vivian said, “The construction only took about one and half years, but the house site and design decisions took much longer. In the meantime, we sold our [previous] home in Oxford, MS and renovated the basement of the home already on the property, into an apartment and lived onsite while we developed our ideas for our home. The gallery apartment now serves as guest quarters and an Airbnb location. We finally settled on the old homestead site, but first had to remove dilapidated tenant shacks… Near the house is an old well that was hand dug by the first family on this property. One of the previous homeowners visits on occasion, and recently we learned he was a 12-year-old boy when he helped his grandfather hand dig the 30-foot well.”
Nestled down a country road, past oak trees, off the road and out of view from anyone passing by, sits a home built from the ground up, for and by homeowners and artists, Vivian and Walter Neill. Also on the large, wooded property is the blacksmith studio of homeowner Walter, a full chicken coop, and the art gallery that the Neill’s run together, Oxford Treehouse Gallery.
Hildegard Haave’s home in Selbu, Norway showcases a handful of family heirlooms like this mahogany dresser from her grandparents. She explains that it used to live in their home office where she would play with her grandfather’s typewriter while he worked.
Creating a space that was colorful, informal, incorporated furniture inherited from Betsy’s grandparents (traditional on one side and mid-century from the other), and that could handle two wild boys, was essential. Betsy is most thankful for the former stables that became her studio, originally thinking that she would have to rent a studio before they found their home. Betsy explains, “The feeling of old time past and rustic white wood are so brand-friendly. It’s a luxury to work while the boys are home and at night without leaving the house. I also bring them into the studio to make projects like tie dying and painting. Plus I like for them to be exposed daily to my work and to art and design — I hope to inspire them.” She also never takes the open space for granted, especially during the long winters. Betsy adds, “They run around, build obstacle courses, and shoot Nerf bullets all over the place. It really helps keep them ‘out of my bubble’ and I can see everything they’re doing while cooking, etc.”
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