Michelle Maëlie February 27, 2021 Home Design
“We’d been searching for a home in Park Slope for what seemed like forever,” she says. “At one point we tried to buy a big house with friends and split it in half, but it got very complicated very quickly. About that time I said to Jonah, ‘we just need a little house, where are the little houses?’ When we saw our house we both said: ‘it is definitely little!’ But compared to what we were used to, even though it’s only 12 feet wide it really is a lot of house. On top of that, it has a lot of original detail, gorgeous ceiling moldings, original stained glass. I’m sure I was staring at those pretty windows while ignoring words like ‘complete electrical/plumbing updates,’ [and] ‘mechanical redo’.”
Perfectly painted drywall or plaster has a clean, easy aesthetic in homes and studios. Its versatility allows color schemes to change effortlessly. The charm and personality in rooms with enclosed walls comes from the pieces that fill the space, rather than the walls themselves. But exposed brick is full of character on its own. Whether it’s a section of wall or a whole room of brick, the historic feel of exposed brick gives a room a commanding statement. Less art and extras are needed in a space beautifully featuring brick. It’s a wow factor that doesn’t need much else. These 10 rooms show off how brick can be incorporated impeccably well in different design styles
“The goal all along was to figure out how to make the house feel as wide as possible while preserving as much as possible,” Sam echoes. “The original details are actually quite grand, so we wanted to show them off as much as possible. Removing the wall between the front parlor and the original library (now kitchen) transformed the whole house. It exposed the central staircase which deserves to be seen. And Sarah’s design truly maximizes every square inch of space there is.”
Dana McClure keeps her grandmother’s Chantilly Lace, along with other family heirlooms like this gold framed mirror, jewelry boxes and display trays resting on her great aunt’s Dorothy Draper dresser. “I never wear [it], but the smell brings me back to being six years old and playing dress-up in her bedroom.” This is her favorite spot in her New York state farmhouse to wind down after a long day and fill her heart with warm memories of her childhood.
Vivian continues, “We wanted a floor plan that opened to the outdoors as much as possible. A place to showcase the art we collect in an inviting, user/dog-friendly space. A place to casually entertain guests while we cook. We chose a Danish dining table/chairs to maximize our view of the fields behind our house that will one day include more sculptures.” The Neill’s worked with architect firm, Howorth & Associates to see their vision to fruition.
While the bones of the home were heavenly (while sitting in the living room you can look up and see all the way through the cupola) the style felt a little more like a lodge than a home. So, the timbers and doors and windows were all painted white (Benjamin Moore “Linen White”), in a terrifying process using plywood sheets and ladders to reach the some 40 feet up. Iron balusters were updated with steel cable and tempered glass. In Betsy’s studio, she took the dark green former stables and painted everything white and added casements under the window to allow for more natural light in the somewhat cave-like space. The last vestige of the lodge feel for Betsy and Peter is their fireplace, and because of the scale, it will take a while for them to figure out what the perfect replacement will be. While the open spaces were something Betsy had dreamed of, and one of her favorite features, they do create the design challenge of being able to see everything from one end of the house to the other. Betsy had to make sure when she was designing the space that everything felt cohesive. Scale is also a key design element in their home — pieces that once felt huge in their last home were now dwarfed in the massive barn house.
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