Leonie Giulia February 27, 2021 Home Design
Nick Huff is the proud owner of this Navajo tapestry, made by hand and gifted to his grandmother by her best friend, Midge. In turn, the gift was passed on to him. This piece is a meaningful reminder of the connection Nick had with Midge and his grandmother. “I always value the human connection over anything that might be in the home,” he shares about his approach to decoration in his duplex in Omaha, NE.
Sarah and her husband Matthew Latkiewicz, a television host, writer, and producer, arrived in Oakland with only what they could squeeze into their Honda Fit. This included Sarah’s grandparents’ coffee table, Matthew’s two favorite chairs, some art, and their clothes. After weeks scouring Craigslist and thrift stores, Sarah realized the best place for reasonably priced home goods was estates sales. “That is how the best stuff gets into the bloodstream of the Bay Area. That and the Alameda Flea Market.” From her estate sale and flea market explorations she began assembling a collection of what she calls “soulful objects.” It took about three years before Sarah felt like she had made a cohesive and comfortable space of their 1920s Art Deco apartment.
While the bones of the home were heavenly (while sitting in the living room you can look up and see all the way through the cupola) the style felt a little more like a lodge than a home. So, the timbers and doors and windows were all painted white (Benjamin Moore “Linen White”), in a terrifying process using plywood sheets and ladders to reach the some 40 feet up. Iron balusters were updated with steel cable and tempered glass. In Betsy’s studio, she took the dark green former stables and painted everything white and added casements under the window to allow for more natural light in the somewhat cave-like space. The last vestige of the lodge feel for Betsy and Peter is their fireplace, and because of the scale, it will take a while for them to figure out what the perfect replacement will be. While the open spaces were something Betsy had dreamed of, and one of her favorite features, they do create the design challenge of being able to see everything from one end of the house to the other. Betsy had to make sure when she was designing the space that everything felt cohesive. Scale is also a key design element in their home — pieces that once felt huge in their last home were now dwarfed in the massive barn house.
To tackle the overhaul, Sam, a creative director at an ad agency, and Jonah, a securities regulator, enlisted the help of architect Sarah Jacoby to helm the 2,400-square-foot transformation. The long list of renovations included enlarging the home’s garden level, adding a guest suite with a new bathroom and laundry room, adding a new kitchen to the parlor level, opening up the living room wall to expose the central staircase, and designing an updated master suite with ensuite bathroom, among other changes.
Farah Malik lived in seven countries before landing in the United States. She admits to a penchant for heirlooms and admires their power to promote a pass-down-from-generation-to-generation culture. Having grown up in England, Farah keeps multiple pots for tea, including this Moroccan kettle handed down from an old friend’s grandmother in Marrakech. Other expressive pieces from Syria, Lebanon, Turkey, Kenya, China, Pakistan, Zanzibar, Cyprus, and all over Europe — just to name a few — encourage a broad global awareness in her Brooklyn home.
Image above: “We are lucky that only a few families lived here before us, which is pretty [remarkable] considering she’s not a young house — part of the demo included removing gas lamp infrastructure,” Sam says. “And while we’re not the first family in Brooklyn looking to maximize square footage, when you’re working with just 12 feet across it takes on a whole new meaning.” By opening up the stair wall, Sarah was able to elongate the home’s design and make the space feel much larger. Chairs upholstered by Studio Four in their teal Jackie fabric, with Flock‘s Northmore Minor Teal fabric on the back.
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