Bernadette Léonore February 27, 2021 Home Design
Image above: “We are lucky that only a few families lived here before us, which is pretty [remarkable] considering she’s not a young house — part of the demo included removing gas lamp infrastructure,” Sam says. “And while we’re not the first family in Brooklyn looking to maximize square footage, when you’re working with just 12 feet across it takes on a whole new meaning.” By opening up the stair wall, Sarah was able to elongate the home’s design and make the space feel much larger. Chairs upholstered by Studio Four in their teal Jackie fabric, with Flock‘s Northmore Minor Teal fabric on the back.
One of the things that makes family heirlooms so special are the stories they collect over time. Objects give us the ability to recall adventures that have been told and retold, or spark the memory they carry. Cherished items often cross oceans, countries, and generations to create their stories, probably with a few scratches and bumps along the way. It’s as if these treasures traveled down the branches of our family tree and ended up in our living rooms.
“Always interested in the arts, we had early careers in the restaurant and plumbing businesses,” Vivian shares. “We married and settled in Oxford, MS in 1999 where we began our art careers and business in earnest. We are developing a sort of arts compound where we live, work and promote regional artists. We have taken our time reclaiming the acreage we acquired and look forward to the coming additions/evolution, including a sculpture garden in the field outside our home.” The arts compound she’s referring to is the rural art gallery she and Walter opened three years ago, sitting off the ground in a treehouse-like setting, aptly named The Oxford Treehouse Gallery, just 200 yards from their home. The gallery, as well as their home, houses a lot of their own art, too. Walter is an artist/blacksmith and Vivian is a painter and block printer.
The den in Kris Drayovitch’s home in Plano, TX is full of furniture that originally belonged to her grandparents along with other family heirlooms, like this vintage Suzani above the couch from her parents’ trip to the Mediterranean. She shares, “I love having pieces in my home that have a history and remind me of loved ones every time I walk into the room.”
Creating a space that was colorful, informal, incorporated furniture inherited from Betsy’s grandparents (traditional on one side and mid-century from the other), and that could handle two wild boys, was essential. Betsy is most thankful for the former stables that became her studio, originally thinking that she would have to rent a studio before they found their home. Betsy explains, “The feeling of old time past and rustic white wood are so brand-friendly. It’s a luxury to work while the boys are home and at night without leaving the house. I also bring them into the studio to make projects like tie dying and painting. Plus I like for them to be exposed daily to my work and to art and design — I hope to inspire them.” She also never takes the open space for granted, especially during the long winters. Betsy adds, “They run around, build obstacle courses, and shoot Nerf bullets all over the place. It really helps keep them ‘out of my bubble’ and I can see everything they’re doing while cooking, etc.”
While the bones of the home were heavenly (while sitting in the living room you can look up and see all the way through the cupola) the style felt a little more like a lodge than a home. So, the timbers and doors and windows were all painted white (Benjamin Moore “Linen White”), in a terrifying process using plywood sheets and ladders to reach the some 40 feet up. Iron balusters were updated with steel cable and tempered glass. In Betsy’s studio, she took the dark green former stables and painted everything white and added casements under the window to allow for more natural light in the somewhat cave-like space. The last vestige of the lodge feel for Betsy and Peter is their fireplace, and because of the scale, it will take a while for them to figure out what the perfect replacement will be. While the open spaces were something Betsy had dreamed of, and one of her favorite features, they do create the design challenge of being able to see everything from one end of the house to the other. Betsy had to make sure when she was designing the space that everything felt cohesive. Scale is also a key design element in their home — pieces that once felt huge in their last home were now dwarfed in the massive barn house.
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