Charmaine Zaynab February 27, 2021 Home Design
The Olmsted family has no shortage of interests and activities they like to partake in; for Betsy it’s design and art, gardening (their neighborhood allows for supporting local farms and produce, too), yoga, and scoring vintage finds. Peter’s work is in energy policy and he is an advocate for sustainable energy and enjoys cycling and outdoor adventuring. Their seven-year-old, Emmett, loves nature (especially rocks and fossils at the moment) and animals. Last but not least, Wells loves track suits, costumes and his favorite gold high-tops. We can only imagine how much fun this family will have creating art and memories together in this inspiring space.
Betsy and Peter Olmsted share their home with their two boys Emmett (7) and Wells (4), as well as Winnie the mature-madam shepherd mix, Hank the French bulldog, and Archer the leopard gecko. Their home was originally a Victorian carriage house and barn that was used for three neighboring mansions, built in 1890 when it also had three deeds. The 5,400-square-foot home was created from the converted spaces in 2008, and the Olmsted family moved in and made it their own a year ago. The downstairs features an open plan, their den, and the attached stables that became The Betsy Olmsted Design Studio — Betsy’s namesake textile company, Betsy Olmsted, which features a line of printed vibrant watercolor infused textile housewares with her whimsically sophisticated illustrations (which are heavily inspired by animals and nature). Upstairs you’ll find more open spaces, three bedrooms and baths, a study, and even a screened-in sleeping porch.
Image Above: Nasozi Kakembo shares how important it is to showcase images and reminders of her family and Ugandan heritage for the benefit of her son in their Bed-Stuy, Brooklyn brownstone tour. This wall-hanging comes from Nasozi’s family, purchased in Liberia by her mother in the 1970s, “although the design provenance is Ivory Coast.” It is an example of her deliberate decorative process to instill a global and empathetic worldview in her son through the objects she places in her home.
Farah Malik lived in seven countries before landing in the United States. She admits to a penchant for heirlooms and admires their power to promote a pass-down-from-generation-to-generation culture. Having grown up in England, Farah keeps multiple pots for tea, including this Moroccan kettle handed down from an old friend’s grandmother in Marrakech. Other expressive pieces from Syria, Lebanon, Turkey, Kenya, China, Pakistan, Zanzibar, Cyprus, and all over Europe — just to name a few — encourage a broad global awareness in her Brooklyn home.
On the process of building their home, Vivian said, “The construction only took about one and half years, but the house site and design decisions took much longer. In the meantime, we sold our [previous] home in Oxford, MS and renovated the basement of the home already on the property, into an apartment and lived onsite while we developed our ideas for our home. The gallery apartment now serves as guest quarters and an Airbnb location. We finally settled on the old homestead site, but first had to remove dilapidated tenant shacks… Near the house is an old well that was hand dug by the first family on this property. One of the previous homeowners visits on occasion, and recently we learned he was a 12-year-old boy when he helped his grandfather hand dig the 30-foot well.”
If you could completely reimagine your life, unbeholden to your past, what would it look like? When Sarah Reid’s son Zane turned 18, she experienced a “what am I doing with my life?” moment. She’d been working in non-profit administration but had always wanted to do interior design for spaces that served low-income communities. Thus was born her business, Small Victories Design. A move from Massachussetts to California facilitated this transformation. In the move, Sarah left behind thrifted finds that filled her attic, basement, and garage. As a “borderline hoarder,” leaving them behind proved difficult. But in having the courage to let go of one incarnation of herself (and most of the objects that made up that life) she embraced another.
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